Hailing from Falköping, Sweden, THE DEVIL WEARS NADA, debuts with their album Postalgia, marking a powerful introduction to their signature sound - a blend of soaring melodies, anthemic choruses, and cinematic flair. Originally released under the name Adecence in an ultra-limited run of just 100 CDs, the album quickly became a sought-after gem among collectors. Now, rebranded and remastered under THE DEVIL WEARS NADA, the album gets a full-scale revival through Eonian Records.
This definitive edition includes two brand-new studio recordings, a high-octane cover of “1989” by fellow Swedish rockers Nestor, and a deluxe booklet with exclusive artwork and liner notes - making it a must-have for fans of AOR, melodic rock, and classic hard rock alike. THE DEVIL WEARS NADA is quickly establishing itself as a rising force in Sweden’s hard rock scene. While fans of Da Vinci, Alien, 220 Volt, and FM will find familiar touchstones, Postalgia brings a fresh, invigorating twist - offering something distinctly new for the next generation of melodic rock/AOR enthusiasts.
Hailing from New York City and Brass City, Connecticut, the band features Rick Dunn (vocals), Billy Gleason (guitar), Marc Gaudiosi (bass), and Tim Huntington (drums). Formed in 2022 from the remnants of the band SCAM, STREETCAR REVENGE was born out of a shared mission: to write, record, and perform powerful heavy rock music that channels the raw energy and spirit of the ‘80s and ‘90s. Unbound by formulas or imitation, the band’s debut album echoes the influences of rock’s golden eras while carving out a sound that is uniquely their own. Blending the soaring hooks and bold guitar work of big-hair rock with the grit and experimentation of early alt-metal, STREETCAR REVENGE delivers a fresh take on a classic sound, modern in message, timeless in attitude.
In December 2024, STREETCAR REVENGE signed with Eonian Records and teamed up with BJ Zampa (Dokken, House Of Lords) to co-produce the band’s new album bringing added firepower and polish to their already potent sound.
Stealin’ The Show Again is a long-lost AOR treasure finally back in the spotlight. Originally released in 1983, Stealin’ The Show has been remixed, remastered, and reissued by Eonian Records. This sole album from American melodic rockers ABLE KANE captures everything that made early ‘80s AOR and pomp rock so unforgettable.
Featuring Steve Parry (guitar), Dino DiDomenico (guitar), Jeff Nardo (bass), Bob Alek (vocals), Joe Romano (drums), and Dave Dettra (keyboards), the band delivers a tightly crafted collection built on soaring harmonies, hook-filled riffs, and lush synth textures. Tracks like “No Milk Today” and “Please Don’t You Leave Me” showcase their ability to blend emotional depth with undeniable replay value.
The production is clean yet powerful, balancing arena-sized ambition with radio-ready finesse. Ballads soar with heartfelt sincerity, while up-tempo cuts pulse with polished energy and lyrical charm. Complete with a beautifully designed booklet, Stealin’ The Show Again isn’t just a reissue - it’s a rediscovery of one of AOR’s hidden gems. Lyrically introspective yet escapist, this album is everything AOR was meant to be—and remains one of the genre’s finest moments.
From the first thunderous riff to the final echo, BLOODY DICE’s sophomore release stands as a near-perfect testament to what hard rock and metal can achieve when vision, talent, and world-class production collide. Guided by legendary producer Flemming Rasmussen, whose work with Metallica defined an era, the album captures the raw energy of a live show with the precision and punch of a studio masterpiece.
Each track showcases razor-sharp musicianship: guitars roar with clarity and weight, bass lines rumble with authority, and drums explode with power. Dagfinn Joensen’s vocals blaze through the mix, equally fierce and soulful. The songwriting is both rooted in the genre’s golden age and refreshingly modern, blending anthemic choruses with introspective moments.
Rasmussen’s production is the album’s secret weapon: warm, wide, and fiercely alive. Nothing feels overproduced, every note breathes. This is metal with a timeless soul and undeniable heart. Essential listening for any rock devotee. Do yourself a favor, grab this record and turn it up to 11.
Disillusioned with the shifting tides of the LA music scene, RUDEBOY set out to create something raw, real, and impossible to ignore. Fueled by a love for punks’ unfiltered energy and hard rock’s swagger, they forged a sound that was both gritty and undeniably catchy. Broken Bones, their defining release, is everything a hard rock fan craves - rebellious, streetwise, and dripping with sleaze. Born from the neon-drenched chaos of the mid-’80s Sunset Strip, the album channels the hedonism and edge of the era with defiant authenticity. From the opening riff, it's clear: this isn’t overproduced pop-metal, it’s loud, dirty, and unapologetically alive.
The guitars are greasy and unhinged, delivering biting riffs, memorable hooks and raw grooves, that feel as dangerous as they are infectious. The rhythm section holds tight and hits hard, driving each track like a fast car with no brakes. Vocals sneer, channeling the spirit of a whiskey-soaked frontman who’s seen too much and doesn’t care who knows it. But beyond the attitude, Broken Bones shines for its songwriting - an enduring time capsule of hard rock’s golden era before its fall.
WANTED is a rising force in the hard rock and metal scene, formed in 2021 with a clear mission: to revive the massive, melodic, and unapologetically loud spirit of classic heavy metal. Drawing inspiration from icons like Van Halen, Ratt, and Dokken, the band channels the golden era of arena rock while carving out a modern edge all their own.
The current lineup features Sterling Primeau on vocals, Alan Mares on lead guitar, Christian Shonts on rhythm guitar, Paul Slezak on bass, and Chris Rajt on drums. United by a shared love for high-octane riffs and soaring melodies, WANTED delivers a sound that’s both a tribute and a fresh take on the genre’s best.
With the upcoming release of their full-length album Cutting Edge on CD and green vinyl via Eonian Records - WANTED takes their vision to new heights. The album builds on their foundation of classic influences, expanding into the realms of Judas Priest, Armored Saint, Scorpions, Great White, Queensrÿche, and Icon. What results is a collection of tracks that blend precision with passion, aggression with anthem-ready hooks.
WANTED revives the traditional, loud, melodic metal that dominated the 1980s, drawing influence from iconic acts like Ratt, Dokken, and Van Halen. For a limited time, Eonian Records offers a special edition featuring three unreleased bonus tracks and exclusive artwork. This release is sure to satisfy fans until the band’s upcoming album.
Metal Forces Magazine’s Neil Arnold on WANTED: “One of the BIGGEST surprises of the year!”…“When I first put this CD in, I played the first three songs at least five times in a row, stunned by their effortless grace, but I also gulped in the darker guitar work!”…“Late Attraction is such a fantastic album that struts like Van Halen or Extreme…another classy slice of hard rock from a band that has the mercurial talent which should, of common sense prevails, catapult them to the dizzy heights of stardom!” (9/10).
With an infectious, anthemic sound, Legacy has embraced the classic elements of early to mid-eighties metal with influences from Dokken, Scorpions, and Stryper. Legacy’s signature sound is built around the dynamic interplay between Matthew Rice and Fred Blanchard’s fiery, virtuosic guitar work creating a rich, harmonically layered sound and Doug Meacham’s melodic, soaring vocals with the band’s trademark harmonized vocals. The rhythm section, with its powerful bass lines of John D. Rice and drumming of John Jenkins, provides a solid foundation drawing influences from both the melodic side of hard rock and the more riff-driven approach of traditional metal. Yet, Legacy also shows they can write catchy mainstream rock songs, still with the classic Legacy edge all with an uplifting message.
• Originally released in 2010, Legacy’s debut is the 2nd largest pressing of the entire Eonian Records catalog to date and has been OUT OF PRINT for well over a decade.
• Band came across new recording masters. A vast difference to the first pressing.
• Anthony Focx who has worked with the likes of Aerosmith, Ozzy Osbourne, Tesla, and Skillet mastered BOTH new Legacy titles.
• OUT with the old booklet, in with a NEW. A complete make-over to the Self-Titled release with expanded booklet and tons of never seen photos.
• Three bonus studio tracks including two never released demos from the band’s earliest archives.
• LEGACY’s Hello, New World features all brand new studio recordings with all five original members celebrating the 35th Anniversary of the band.
RINGS OF SATURN delivers a powerful blend of late ‘80s to early ‘90s hard rock, marked by strong songwriting, exceptional musicianship, memorable melodies, rich harmonies, and electrifying guitar solos. Both of their releases are essential listening for collectors and aficionados of meticulously crafted rock and metal.
“On the Self-Titled album, we wrote songs about love (“For Real,” “I Need You Tonight”), relationships of different types (“Electric Love,” “Walk Away,”) and outer space (“23 Starrs,” “To See Black.”) Each track has its own identity, yet all share the foundation of hard, melodic rock. We were influenced by the greats of the era - Quiet Riot, The Cult, Guns N’ Roses, and Bon Jovi.” — Billy Coane
A curated collection of fourteen tracks recorded between 1988 and 1991. Engineered by renowned industry professionals Rob Xeno (Billy Idol), John Henning (REO Speedwagon, Montrose, Sammy Hagar), and Brian Levi (Hurricane, Tony MacAlpine). Sessions took place at some of Los Angeles’ most iconic studios, including Paramount Recording Studios, Music Lab, Sound Image, and Clear Lake.
“For the Stonecrazy CD, I wrote about the events and emotions we were experiencing at the time, and the sound took on a heavier edge. There were songs about love (“Last Rocket to Love”), but also strained relationships (“The Drama,” “Love’s Come”), and the turmoil we witnessed. L.A. went through the riots in ‘92 and the earthquake in ‘94 (“Take Another Hit”). It was a dark but hopeful time, and that duality came through in the lyrics.” — Billy Coane
Featuring ten songs and one instrumental track. Engineered by Brian Levi (Hurricane, Tony MacAlpine) and Jim Wirt (L.A. Guns, Incubus). Produced by Brian Levi, Jim Wirt, and founding member Billy Coane.
This heavy-hitting release showcases thunderous drumming by Glen Sobel (Alice Cooper, the Hollywood Vampires, Mötley Crüe, Richie Sambora), dynamic bass lines by Jim Kleinman, and the versatile musicianship of Billy Coane, with additional guitar work by Scott Van Zen and Dave Chamberlain.
URGENT formed in the summer of 1983 and began playing live shows in and around Dublin. The lineup included Arthur Whelan (vocals/keyboards), Robert Young (guitar/keyboards), Howard Dunne (lead guitar), Bernard Molloy (drums), and Declan Caulfield (bass). After recording a few tracks in a local studio - two of which appeared on an Owl Records compilation - the band released the single “Hearts of Stone.” A live performance on RTE’s Borderline caught the attention of Chris De Burgh, who invited URGENT to support him on 14 sold-out shows, marking the high point of their career.
A deal with Polygram Ireland followed, and the band released “Goodbye/Heaven,” reaching #37 on the Irish charts. Backed by a full production video and live gigs across Ireland, URGENT built a strong following. Internal issues led to their split in 1989, but their legacy lives on in their powerful melodic rock/AOR sound, echoing the likes of FM, Foreigner, Journey, and Boston.
Formed by Tony Mitchell (vocals) and Kevin Wilson (guitar & vocals) during the New Wave of British Heavy Metal in the mid ‘80s, their first demo earned the band a session on the BBC’s highly acclaimed “Friday Rock Show,” hosted by Tommy Vance. Some lineup changes led to recruiting Michael Bruce (guitar, keyboards, and vocals), Alex Burrell (bass and vocals) and Derek Lindsay (drums and vocals) to take the band to the next level by delivering the trademark GARRISON-sound: tight harmonies over killer guitar riffs!
Touring UK with bands like Ian Gillan, Dare and Thunder, and compared to the sound of great acts like Def Leppard, Glasgow, Tobruk and Heavy Pettin, GARRISON wrote—thru the years—a bunch of amazing & catchy Hard-Rock songs that unfortunately never had the chance to be properly released. The CD features deluxe 16 pages booklet, with the full lyrics plus the whole story of the band told by UK Rock-journalist Rob Evans.
Since 2000, Frederic Slama has released 23 albums under the AOR name, collaborating with the biggest names in West Coast music and Melodic Rock. Now, he returns with BLUE AMBITION, a new project featuring a powerhouse trio. Seduction Of The Innocent blends unforgettable ‘80s-inspired melodies with modern rock influences.
Joining Frederic are guitar legend, Tommy Denander (Alice Cooper, House Of Lords, Paul Stanley) & Robbie LaBlanc (Blanc Faces, Fury), one of the best vocalists in Melodic Rock. Together, they create an album that showcases their talents at their best. With its “retro-futuristic” style, Seduction Of The Innocent stands as one of the most melodic and consistent albums of Frederic’s career. Fans of Foreigner, Toto, Asia & Bon Jovi will find much to love. Robbie LaBlanc's standout vocals ensure BLUE AMBITION will cement its place as a defining AOR classic of this era.
Our friends at Metallic Blue Records proudly present the first-ever CD release of all the recordings from Cleveland, Ohio’s 1980s Hard Rock/Melodic Metal band HAVEN, titled Turn It Up. After relocating to Hollywood, California, the band filmed a music video for the title track, “Turn It Up,” at Cal-Art studios – the same location where Quiet Riot shot their iconic “Metal Health” video. The music video was featured on MTV’s Basement Tapes, gaining significant exposure to the band.
Fans of Fastway, Mama’s Boys, TKO, and Tokyo Blade will find HAVEN’s Turn It Up to be an essential addition to their collections. This comprehensive release includes the band’s 1985 5-track EP, a 2-track 7” single, and seven previously unreleased early demos, offering a rare and complete look into HAVEN’s musical journey.
TARZEN is an Argentine-Spanish Hard Rock/Glam Rock band formed in Madrid, Spain, in 1985. The band was active until 1990 and was led by renowned Spanish guitarist, composer, and producer Salvador Domínguez. The lineup also featured singer, songwriter, bassist, and keyboardist Danny Peyronel, alongside his brother, drummer and vocalist Miguel Alberto Peyronel. Over the course of five years, TARZEN released two albums and toured extensively, sharing the stage with iconic acts like Twisted Sister and headlining their own shows.
This release marks the official debut of the band’s second album, originally released in 1989, now remastered and featuring three bonus tracks. The follow-up album represents a notable evolution in the band’s sound, embracing a more melodic, hard rock style. The album is characterized by infectious choruses, prominent sparkling keys, and an overall sonic richness that recalls the styles of bands such as Treat, Dalton, and Zinatra.
Rock ‘n’ Roll Rebels & the Sunset Strip were the final wave of Sunset Strip bands, the most competitive market for rock ‘n’ roll that had ever existed. During this era (1980s/Early ‘90s), the Sunset Strip had become a living, breathing entity of extreme depth and breadth of musicality, self-indulgence, and living in the intrepidly fast and dangerous lane. This boxset is a four-disc collection with 36 Bands and 72 Digitally Remastered Studio Recordings. This collection also features a 60-Page Booklet with a close up look at each band, Over 100 Original Archived Photos, and the 13-Page “Rock ‘n’ Roll Rebels: Sunset Strip Certified” Bio narrated by JohnnyX of The Wild and Adam Gifford of Paradise, both well-known bands on the Sunset Strip.
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